“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to...
这条缺乏条理的信息不知道从什么开始,所以也无从总结。我已经勉强让你明白,我不想玩这场游戏
2015.9.15 南京先锋书店德波影展
居伊德波探讨的纪录片景观,跟本雅明的作为展览与崇拜典礼的康米vs法西斯两种倾向的“摄影”形成互文。
看到已知的未知可能?
6。影像和文字严重割裂啊。。
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